I was going to ask, what’s the song people freak out to or jam the hardest to when you play live?
Safaa: Probably “Honey Tee” or “Land Mermaid” because we came out with it last year so people know that one.
Can you run through the history of one of your songs and how it’s changed over time as the band has grown and progressed? A run-down of a life of a song.
Alison: “Loveless?”
Marissa: Then, I would just be on guitar and loop it, and I would switch to bass and sing with the bass. That was then. I never really had any drums to it, I would use a tambourine or something. I think I have it on my SoundCloud, the first demo. Then some drums came into it, and then I met Safaa and she picked up the bass and made it better. Then Alison came in and made the drums better, much better.
Alison: The drumming is more magical, the cymbals are bright and light, and that’s really cool. I think it’s a fairy tale sound, a bit.
What about translating the live energy from the stage to the studio, particularly those wicked outro jams?
Safaa: I think we didn’t know how to end a song live, and we would play until we felt it was finished. It was challenging for us, figuring out how to end these songs, they never had real endings before.
Marissa: Closure.
Safaa: We had to sit down and literally write it out.
Alison: Marissa isn’t classically trained, so she goes by feeling, and we’ve all adapted that trait. Live, I feel like live it’s just a feeling, like feel when it should end and we’re in sync. But during the record…
Marissa: Put the feeling aside.
Safaa: I think we’re now starting structured as we go on.
Alison: Actually, I think it’s funny. I was watching videos of us last night because some guy took a bunch of videos of us and put them on YouTube, and we’re all looking at each other, like “Should I end now?” But that was early on, and now I think now it just happens because we feel it.
Marissa: Now we know when.
Safaa: And also I think we had to mature to that level, we can’t just always wing it.